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George Cukor's People: Acting for a Master Director (Film and Culture)
Description
The director of classic films such as Sylvia Scarlett, The Philadelphia Story, Gaslight, Adam's Rib, A Star Is Born, and My Fair Lady, George Cukor is widely admired but often misunderstood. Reductively stereotyped in his time as a "woman's director"--a thinly veiled, disparaging code for "gay"--he brilliantly directed a wide range of iconic actors and actresses, including Cary Grant, Greta Garbo, Spencer Tracy, Joan Crawford, Marilyn Monroe, and Maggie Smith. As Katharine Hepburn, the star of ten Cukor films, told the director, "All the people in your pictures are as goddamned good as they can possibly be, and that's your stamp."
In this groundbreaking, lavishly illustrated critical study, Joseph McBride provides insightful and revealing essayistic portraits of Cukor's actors in their most memorable roles. The queer filmmaker gravitated to socially adventurous, subversively rule-breaking, audacious dreamers who are often sexually transgressive and gender fluid in ways that seem strikingly modern today. McBride shows that Cukor's seemingly self-effacing body of work is characterized by a discreet way of channeling his feelings through his actors. He expertly cajoled actors, usually gently but sometimes with bracing harshness, to delve deeply into emotional areas they tended to keep safely hidden. Cukor's wry wit, his keen sense of psychological and social observation, his charm and irony, and his toughness and resilience kept him active for more than five decades in Hollywood. George Cukor's People gives him the in-depth, multifaceted examination his rich achievement deserves.
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The Essay Film After Fact and Fiction (Film and Culture)
Hollywood's Artists: The Directors Guild of America and the Construction of Authorship (Film and Culture)
How Film Became History: The Rise of the Archival Documentary in 1930s America (Film and Culture)
How Film Became History: The Rise of the Archival Documentary in 1930s America (Film and Culture)
Man of Taste: The Erotic Cinema of Radley Metzger (Film and Culture)
Billy Wilder: Dancing on the Edge (Film and Culture)
Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930â "1934 (Film and Culture)
The Jazz Cadence of American Culture (Film and Culture)
"It's the Pictures That Got Small": Charles Brackett on Billy Wilder and Hollywood's Golden Age (Film and Culture)
The Cinema of Extractions: Film Materials and Their Forms (Film and Culture)
The Whole Durn Human Comedy: Life According to the Coen Brothers (Anthem Film and Culture)
The Rebirth of Suspense: Slowness and Atmosphere in Cinema (Film and Culture)
Music in Cinema (Film and Culture)
Weimar Cinema: An Essential Guide to Classic Films of the Era (Film and Culture)
Movie Journal: The Rise of the New American Cinema, 1959-1971 (Film and Culture)
